In Review Online @InRO
Film writing; Subscribe to our Substack for our bi-weekly newsletter & exclusive features: https://t.co/ZJo3nOanLB inreviewonline.com New York, NY Joined February 2009-
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'Wilder and collaborator Charles Brackett took Jackson’s novel as an opportunity to depict alcoholism unflinchingly and without distraction. These successes are evident in the script and performances. But looking beyond the surface, there’s a subversive element in film noir styling to further elevate these thematic goals' Michael Piantini revisits Billy Wilder's classic The Lost Weekend for @kickingthecanon inreviewonline.com/2026/05/29/no-…
'Rash’s screenplay, though, has tendencies toward cliché and emotional overkill, particularly acute when Jamie and Diane devolve into heated arguments, which are exhaustingly verbose and hammer home obvious aspects of character and theme. As a director, Rash’s visual strategy and deference to his actors render these textual flaws all the more apparent and dull the effectiveness of the two central performances' inreviewonline.com/2026/06/01/mis…
'While Herzi’s approach to her protagonist, combined with Nadia Melliti’s grounded performance, demonstrates emotional intelligence and sincerity, the film’s latent instrumentalization of identity politics and its occasional narrative sloppiness result in a half-baked work' @FerideMercury on Hafsia Herzi's The Little Sister: inreviewonline.com/2025/05/22/the…
'What ensues couldn’t be more predictable once the conceit is in place and the narrative gears duly turn. In Ladies First, function comes second to form, as the deconstruction of the patriarchy mainly involves substituting men with women wholesale and replicating the exact same patterns of oppression, the same double standards and blatant hypocrisies, even the same gynecological metaphors with men at the receiving end.' @morrisycy1 takes a look at Ladies First: inreviewonline.com/2026/06/02/lad…
Don't miss Lei's 2024 interview with director Jinho Myung either, for @InRO inreviewonline.com/2024/10/11/the…
Last days to watch Softshell on Le Cinéma Club, absolutely not to be missed. Read @alexL_E_I on why it's one of the best movies of the decade so far, and the highlight of @lecinemaclub's New American Voices series
Today we have Alex Lei @alexL_E_I on the New American Voices series currently streaming on @lecinemaclub don't miss it! mcrf.neocities.org/newamericanvoi…
We have an interview with Patrick on the @InRO Substack, as well as a review of the film. inreviewonline.substack.com/p/different-ve…
You have to go see this if you have even a remote opportunity. The things Patrick and co. do with light are like the most graceful, expressive choreography. And Blake Draper, man. What a performance.
Thanks to the Roxy for extending our run. Four chances to see A. RIMBAUD in June. Come see the other movie about navigating liminal spaces. roxycinemanewyork.com/screenings/a-r…
for subscribers: inreviewonline.com/2026/05/26/jac…
'Renoir feels less like a story than like a true account, lived as much by the viewer as by the characters. Even its most expressive moments feel real, focused as they are on sensations and feelings that engender identification. One never feels the cogs spinning, advancing some linear plot from a definite beginning to a definite end. Like life, it just keeps drifting through, from pain to joy and everything in between.' @screenonscreen reviews Chie Hayakawa's Renoir: inreviewonline.com/2026/05/29/ren…
'A film of this ilk need not rise to the level of rocket science, but neither should it amount to anything less than your standard boilerplate streaming service actioner, one that occasionally goes *boom* to snap the audience’s attention awake.' inreviewonline.com/2026/05/29/my-…
'Catching wind of some perception-altering enhancements, Mia turns to a psychedelic drug in the form of a Lucid sweetheart candy, nibbling at the sweet treat to unlock her mind and find the inspiration she so desperately needs. Trouble is, in doing so Mia enters a realm of nightmares, losing her grip on reality as grotesqueries infect her everyday life, including haunted memories of her mother' @JakeTropila reviews Ramsey Fendall & Deanna Milligan's Lucid: inreviewonline.com/2026/05/29/luc…
'When I think about one of my films or one of my scripts, it’s always from the character: what she shows, how she perceives the world, and where she chooses to cast her gaze. Likewise, this also guided the mise-en-scène and how we thought out the sound. At the start of the film, there is a window, and this window takes us to the sound of a fan. I’m thinking this fan has a metallic quality to it. This sound, this noise, might be practically imperceptible to many, but she perceives it.' @BrndnStrssng in conversation with Milagraos Mumenthaler on her new film The Currents: inreviewonline.com/2026/05/29/the…
Had new writing go up on @InRO for subscribers on the Substack. Give it a look if 90s underground Chinese cinema is your thing or you checked out @samcmac's STRUCTURE. WAVE. YOUTH. CINEMA. series at the Spectacle Theater. Link here: inreviewonline.com/2026/05/20/not…
Fassbinder would’ve been 81 if he was still around on the upcoming May 31, and I wrote about THE MARRIAGE OF MARIA BRAUN for Kicking the Canon inreviewonline.com/2026/05/27/one…
'Germany’s postwar economic miracle and what it took to survive its cruelties, forever the defining theme of the Fassbinder corpus, finds itself forever hanging above the head of Maria Braun thanks to the explosive marriage that kicks things off.' @CommuterFilm takes a look back
We have a brand new essay by Sam Thomas-Redfern on @InRO's Substack, our fourth of six on Spectacle Theater's program on the Structure. Wave. Youth. Cinema. movement in China. Enjoy and subscribe! open.substack.com/pub/inreviewon…
For @InRO, I spoke with Chie Hayakawa about RENOIR, mentally storyboarding in adolescence, capturing the ineffable on screen, and why children should see her film, which, at first glance, isn’t made for them I really love this one. inreviewonline.com/2026/05/29/gro…
'In her fifth documentary feature, Time and Water (2026), director Sara Dosa examines this tension between retrospection and foresight by turning to Magnason’s own family archive. Accordingly, Time and Water, a follow-up to Dosa’s previously acclaimed Fire of Love (2022), is particularly concerned with memory and preservation. Her film visually interprets Magnason’s struggle with memorializing Okjökull by sifting through his collection of images, videos, and letters that attempt to preserve his lineage. The result is a film that serves as a handshake of generations and a farewell to their fading homeland.' inreviewonline.com/2026/05/27/tim…
'Germany’s postwar economic miracle and what it took to survive its cruelties, forever the defining theme of the Fassbinder corpus, finds itself forever hanging above the head of Maria Braun thanks to the explosive marriage that kicks things off.' @CommuterFilm takes a look back at one of Fassbinder's incendiary The Marriage of Maria Braun: inreviewonline.com/2026/05/27/one…
'Its charming qualities can mostly be ascribed to Travolta’s genuine unpretentiousness. With a soothing voiceover, he captures the boundless excitement of a kid who can’t believe his long-held dream is becoming reality before his very eyes.' @HugoEmmerzael takes a look at actor-turned director John Travolta's peculiar Propeller One-Way Night Coach: inreviewonline.com/2026/05/16/pro…
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